Dossier 04 · Film, television & Jewish culture

My Starry Trek

Star Trek reporting, interviews & essays, 1987–2015.

Cinefantastique / CFQ
Los Angeles Times
Jewish Journal
Spock with a lulav and etrog
Spock with a lulav and etrog

A connected body of reporting on authorship and succession: the creator, producers, writers and actors who made Trek larger than any one of them. The Jewish pieces return to the same reporting through cultural inheritance and personal memory.

The prologue · 1987

The centerpiece · 1991

Los Angeles Times

Los Angeles Times Magazine · 05.05.1991

Trekking to the Top

The panoramic feature: a fictional future, a workplace and a business.

The 1991 succession · Four close-ups

The covers illustrate the subjects of the pieces. Cover dates and article dates are shown separately.

The reporting continues

Los Angeles Times

Los Angeles Times · 16.06.1991

STAR TREK

An additional contemporary item, preserved under its archive title.

Los Angeles Times · 07.03.1993

Tracking Trek

A profile of Mark A. Altman. The archive also preserves a CFQ reprint; this is one article.

The Jewish Trek

The Jerusalem Report
Jewish Journal

Jewish Journal · 18.03.2015

My Jewish Trek

The concluding retrospective: fandom, reporting, Roddenberry, Nimoy and Jewish identity.

The body of work in tandem

Cinefantastique / CFQ
Los Angeles Times

Authorship & inheritance

Roddenberry supplies an originating philosophy; Bennett and the studio make it sustainable; Meyer renovates it; actors, writers, journalists and fans dispute its meaning. The franchise develops through several custodians, not a single author.

Myth & machinery

The Enterprise is both a utopian vessel and a Paramount set. Roddenberry is both the creator and an aging producer; Meyer is both myth-maker and hired fixer. The reporting crosses between imagined ideals and the practical labor of making television and film.

Succession, Jewish identity & memory

The 1991 pieces record a transition while its outcome was still uncertain. The Jewish inquiry emerges from that same reporting, becomes explicit in The Jerusalem Report, and reaches its retrospective synthesis in My Jewish Trek. By 2015, the Montreal fan, the Hollywood reporter and the Jewish-affairs journalist have entered the same frame.

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